![]() Unfortunately, automation of the controls appears to be impossible - apparently, the plugin must perform too much number-crunching every time a value is adjusted, resulting in loud clicks. Another useful feature is automatic volume leveling, which ensures that the audio going out of the plugin is the same volume as what goes in, preventing thoughtless mixing errors in which the louder sound is regarded as better. ![]() Again, subtlety is crucial, and even when toying with the 'calibration' setting, it's impossible to discern any distortion, albeit there is a flavor that stock parametric EQs lack. In the 'output stage' area, there are four possible models for saturation shaping ('silky,'' mellow,' 'deep,' and 'funky'). ![]() If you're having trouble hearing it, make sure the EQ Sat button is turned on - it's off by default, and you'd be forgiven for believing it's just a label. Rather than severe heat, subtle touches of saturation are employed for mild harmonic augmentation. ![]() The four versions (American, British, German, and Soviet) alter how the EQ plugin controls react rather than the sound itself, and the documentation contains helpful charts for those who want to go into the details. The TDR VOS SlickEQ, a free EQ that claims a variety of tone-shaping capabilities with a variety of EQ and saturation models, is the first plugin to be evaluated.
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